WBJC Choral Hour 10-18-15

This morning’s Choral Hour will whet your appetite  for a recital and Evensong that includes Fauré’s “Cantique de Jean Racine” at Saint David’s taking place this afternoon at 4:30!

8:00 AM
Morten Lauridsen              Lux aeterna                             Hyperion   67449
COND Stephen Layton
ORCH Britten Sinfonia
SOLO Polyphony

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8:26 AM
Johann Sebastian Bach         Cantata No. 74                          Teldec     44279
COND Gustav Leonhardt
ORCH Leonhardt-Consort

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8:49 AM
Gabriel Faure                 Cantique de Jean Racine  Op 11          Delos      3138
COND Dennis Keene
ORCH Voices of Ascension

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8:56 AM
Thomas Morley                 No, No, Nigella                         Telarc     80328
SOLO Thomas Morley

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9:00 AM            1498
Johann Nepomuk Hummel         Trumpet Concerto in E                   CBS/Sony   57497
COND Raymond Leppard
ORCH English Chamber Orchestra
SOLO Wynton Marsalis, trumpet

‘Tis the Season

The season of Christmas cheer has definitely arrived! We started playing Christmas music on WBJC today, and productions of The Nutcracker and Handel’s Messiah are proliferating. Melinda O’Neal came in to talk about the Handel Choir’s performances of their namesake’s great work.

The Handel Choir’s Messiah

Fiesta Magnificat

Composer John Rutter has a way with music and words. Rutter’s description of his Magnificat is delightful and compelling as is the work itself. Though the Magnificat is not necessarily Christmas music, its perfectly suited to the season. I hope it warms your heart and mind on tonight’s Vocalise!

 

12/25/11 MUSIC OF THE BAROQUE BRASS & CHORAL HOLIDAY CONCERT 3:00 PM- 5:00 PM

Listen to WBJC for music of the 16th and 17th centuries by composers such as Michael Praetorius, Johann Vierdanck, Heinrich Schütz, Giovanni Gabrieli, Claudio Monteverdi and Giovanni Bassano, among others.

From its earliest years, Music of the Baroque has drawn audiences from across the Chicago metropolitan area, performing in the intimate settings of neighborhood churches chosen for architectural interest and acoustic excellence and, since 2004, at the Harris Theater in downtown Chicago. Listeners across the country have enjoyed the work of Music of the Baroque, which was the first professional chorus in America to have its own regularly scheduled nationwide broadcast series.

The chorus and orchestra of Music of the Baroque are comprised of approximately 60 professional musicians. Chorus members have active operatic and recital careers and many perform regularly both in the United States and abroad. Many members are also members of other leading ensembles, including the Chicago Symphony and Lyric Opera orchestras.

William Jon Gray will conduct this Holiday Brass and Choral Concert and will also be the harpsichordist.

12/23/11 St. Olaf Christmas Festival 9:00 PM- 11:00 PM

St. Olaf Christmas Festival is A service in song and word that has become one of the nation’s most cherished holiday celebrations, and you can hear it on WBJC! Tickets to the event, which takes place at St. Olaf College in Northfield, Minnesota, are always gone months in advance. The festival includes hymns, carols, choral works, and orchestral selections celebrating the Nativity and featuring more than 500 student musicians who are members of five choirs and the St. Olaf Orchestra.

“Your voice is not an instrument, it is a…

weapon!”

So says James Harp, Artistic Director & Chorus Master at Lyric Opera Baltimore. Of course, the human voice is also capricious, delicate, & vulnerable to colds, allergies, & all manner of other irritants. Mine is the main reason I get paychecks, so I try to take good care of it.

Those of us who make a living with our voices tend to get a bit neurotic when our instruments – okay, weapons – aren’t functioning correctly. For singers & actors, not being in good voice can cost you an audition or result in your not performing well at a gig (& possibly not being hired again by that company.) The stakes aren’t quite so high if you’re on the radio – you’re not going to lose your job for coming to work sounding like you have a clothespin on your nose – but it’s hard to do your best show in that condition.

As such, those of us who rely on our vocal cords to pay the rent have any number of stay-well & get-well strategies. Some won’t eat dairy or chocolate before a performance; some won’t go near alcohol in the days leading up to a gig, if at all; others eschew those “vices” entirely. (A fate worse than death in my opinion, but as I have plenty of eccentric dietary habits, I try not to judge.) I’ve known singers who wouldn’t go anywhere without a scarf or a shawl wrapped around their necks, even in the summertime, & have been chastised by more than one colleague because I run outdoors during the winter. Again, I try to be respectful & take all well-intentioned advice into consideration, but really, some people take protecting their voices a bit too far.

Even for those who scorn most “alternative” therapies, neti pots are de rigueur. For the uninitiated, a neti pot is a small vessel, usually plastic or ceramic, into which warm water & a pre-measured amount of salt are poured. The user then pours half of the solution into one nostril & out the other & repeats the process on the other side. Much nose-blowing ensues, after which, at least in theory, one’s sinuses are clear & breathing is made easier. I’m a huge fan of the neti pot & use mine daily, except on trips to South Beach, during which the Atlantic Ocean performs basically the same function.

Despite my occasional issues with seasonal allergies & sinus infections, I’ve avoided reflux, nodes, & the more serious vocal afflictions that some of my colleagues have suffered, but several years ago, during a production of “La Traviata” at the late, great Baltimore Opera Company, I had the misfortune to swallow a salmon bone. It didn’t lodge, but left quite a scratch, & I was in excruciating pain – my throat would spasm on a regular basis. Lots of fun when I was on the air or attempting to sing Verdi. After a few days of this misery – I am a doctor-phobe! – I dragged myself to GBMC, where I was scheduled to see an otolaryngoligst & be “scoped”. Yes, to have a tiny camera at the end of a long, skinny tube stuck up my nose & down my throat so that the doctor could get a good look at my cords & see just what was going on. Was I nervous? No, I was in full-on panic mode, so I persuaded my husband to go with me.

Given that Dr. Kaplan, whom I was going to see, is very well-regarded in his field & has worked on a good number of the singers in Baltimore, my jitters were hardly justified, but hello – he was going to have that thing *thisclose* to my source of income. The, um, pathway down which the scope will be going gets numbed before the procedure, & let’s just say that part of the process isn’t fun & the liquid used tastes awful. After that, the camera work was a snap by comparison, although I’d rather not go through it again any time soon. Dr. Kaplan was very funny & kind; he was sympathetic to my plight & let my husband see what was going on with my cords (an ugly scratch, but otherwise, healthy tissue.) Finally, I was persuaded to have a look at the monitor. There it was, the part of my anatomy that produces my livelihood. Not as gross to behold as I’d expected, but I’d rather have been watching a movie, thanks. Dr. Kaplan advised me to avoid spicy food, tomatoes, caffeine, & alcohol for two weeks, to which my reply was that he had just told me to stop eating. I was sent home with a 7-day course of steroids, which my body does not take kindly to, & spent the rest of the production feeling as if the Baltimore Ravens – all of them! – were standing on my chest.

Needless to say, these days, I am very careful when eating fish, especially salmon. Oh, & is that a draft in here? Where’s my scarf?