“Summertime…”

As the cicada choruses begin to vie with each other, it’s an indication that we have reached the dog days of summer.  One of the things I love about living in America is how clearly demarcated the seasons are: the vibrant fall, the Christmas card snow scenes of winter, the rejuvenation of spring, and then the long, slow, lazy days of summer, which are neatly sandwiched between the Memorial Day and the Labor Day holidays.  This summer has seen an influx of visitors from down under—an old Cape Town friend, who now lives in Melbourne, Australia, and a beloved cousin, whom I haven’t seen for far too long.  She now lives in New Zealand with her husband, and taking them around Baltimore made me realize again what fun it is to show off our city and see it afresh through visitors’ eyes.  We visited our world-class art museums, and took the water taxi to Fort McHenry, which has added significance in this bi-centennial year of the 1812 war, of course.  (The day we took them there turned out to be the one with record breaking temperatures, but at least they missed the derecho wind storm.)  We also celebrated the Fourth of July—that quintessential American celebration—by taking them to hear (and see) the Baltimore Symphony fireworks concert out at Oregon Ridge.  “Bombs bursting in air” in more ways than one!

I hope your summer is being a good one.

 

B(l)iss

I would love to be a fly on the wall when Jonathan Biss is practicing in the privacy of his apartment to see if he is as physical then as he is on the concert platform.  He is what you might call and mover and shaker in front of the keyboard–bending low, arcing back, fidgeting with his cuffs, ending runs with flying flourishes.  As he started Beethoven’s 3rd concerto with the BSO in Meyerhoff Symphony Hall on Saturday I found myself smiling at his boisterous movements.  But then I forgot about them as he proceeded to play quite sublimely.  I was struck by his powerful and accurate trills, for one thing.  And I don’t know if I’ve ever heard that octave passage from the piano after the fugue in the third movement more beautifully played.  I’m looking forward to hearing the complete Beethoven sonata recording cycle he’s embarked on.

It’s always a pleasure to hear Günter Herbig, and it was an especial pleasure to hear him conduct (without a score) Schubert’s 6th symphony, which seems to find its way onto a concert platform far too seldom in my opinion. It was a gorgeous performance.

The BSO has their annual vacation in their sights now–the final concerts of the subscription series are this weekend, then holiday concerts followed by a well deserved break.  Happy days.

A Shameless Plug for my Next Cabaret Show

 

 

Valentine’s Day is coming, whether you like it or not. Personally, I’ve always been a big fan of V-day, even in college, when artsy student types like myself were expected to shun it as a “Hallmark holiday” & pretend to be far too intellectual to exchange cards & chocolates on February 14th. I’m a hopeless romantic, okay? I was that way even when my love life looked, well, hopeless. As I’ve gotten older, however, I have become somewhat jaded about the day. Perhaps Jim & I have spent one too many Valentine’s evenings in overcrowded restaurants, smushed in next to couples who barely spoke to one another at dinner because conversation would have kept them from repeatedly checking their cell phones for incoming texts & emails. Prix fixe menus aren’t really our style, either, & those tend to be the V-day norm this day & age.  After an “epic fail”  service experience while dining out last Valentine’s, we decided to stay in this February 14th unless we found something really great to do.

This is where Henry Wong, owner of An die Musik, comes in. I’ve known Henry for years & have had the privilege of singing at his performance venue (An die Musik Live!) several times, so when he approached me about doing a Valentine’s Day cabaret show, I jumped at the chance. I love singing musical theater & standards, & this show will give me the chance to dust off some fun repertoire that I’ve known for years (“Diamonds are a Girl’s Best Friend”, “Whatever Lola Wants”, etc.) I’m also learning new material, including “Ain’t There Anyone Here for Love?” & “Some Other Time.” Two very talented gentlemen will also be performing that night – my accompanist, Douglas Brandt Byerly, & Jim Knost, bari-tenor & “Mr. Neal.”  Oh, & Henry tells me that the ticket price ($10) includes a complimentary glass of bubbly & sweets from Patisserie Poupon. Tres bien!

So, if you’re looking for an unconventional way to celebrate this Valentine’s Day, here are the details:

Love, Sex, Romance at An die Musik Live!

Tuesday, February 14th, 2012 @ 7:30pm

409 North Charles Street, Baltimore, MD 21201

410-385-2638

Hope to see you there!

 

 

 

 

 

 

Christmas making sense

Having grown up celebrating Christmas in Africa — with the Christmas holidays falling at the height of summer — white Christmases, steaming hot Christmas dinners and all the Christmas traditions were things that came alive for me in a Dickensian novel, not in real life. We’d all be hanging around in Fourth of July attire — shorts and sandals — while we gamely tried to conjure up the Christmas spirit.

Now, it all makes sense! Hats and gloves and boots and coats and scarves are not just a fashion statement as they were in the comparatively mild African winters (in July!) but clearly a necessity. My first few northern hemisphere Christmases I still wasn’t quite in the swing of things, and friends and acquaintances were horrified that I didn’t even have a Christmas tree. Each year I get the hang of it more and more, and this year I have my first-ever garland, along with my mini Christmas tree and heavenly scented wreath. You would almost think I was to the manner born.

Fiesta Magnificat

Composer John Rutter has a way with music and words. Rutter’s description of his Magnificat is delightful and compelling as is the work itself. Though the Magnificat is not necessarily Christmas music, its perfectly suited to the season. I hope it warms your heart and mind on tonight’s Vocalise!

 

01/01/12 New Year’s Day from Vienna 11am

Latvian conductor Mariss Jansons makes his much anticipated second appearance at the helm of the Vienna Philharmonic for their 2012 New Year’s Concert. This concert series is so insanely popular, the Vienna Phil holds a lottery for ticket sales a year in advance!

Don’t worry, you won’t have to go any further than WBJC to enjoy this long-standing tradition.

The live broadcast of the New Years from Vienna is something I both look forward to and dread. As a fan of European performances, I truly enjoy hearing an audience interact and enjoy themselves at a concert. It’s on my bucket list to someday go to the Bayreuth Festival and also to experience a truly great European concert performance like New Years from Vienna.

But as Operations Assistant, I know about the stress live feeds can cause station personnel. Back on Saturday, Jan 1 2005, we were caught completely off-guard when the live feed ended without playing the Radetzky March!

The Radetzky March has been a concert fixture since 1958. While I haven’t listened that long, I’ve listened long enough that it certainly was an uncomfortable and somewhat scary thing not to hear it played. Listeners were upset, and the phones went mad! Kati saved the day (in what was probably the fastest “DJ Dash” in WBJC history) by grabbing a CD recording of a live Vienna Phil concert and playing the March.

As we were working on the website today, I reminisced about that day and wondered just what had happened. A little bit of digging cleared up the mystery: Loren Maazel omitted the Radetzky March to honor the hundreds of thousands of victims of the Boxing Day Tsunami that occurred just 6 days earlier.

Now that’s class.

I love a parade!

I truly do. That said, I have a confession to make: until yesterday, I’d never attended the annual Mayor’s Christmas Parade in Hampden. It tends to occur on or near my birthday- a time when we’re often away – but this year, our December travel is happening later, so when Maurice Lease, the owner of Dreamland, asked me to be on his store’s float in the parade, I was delighted to say yes. Dreamland is a Baltimore institution, at least among fans of vintage clothing & accessories. I’ve been a fan & customer of the shop since I arrived in Baltimore in 1993 & knew its former owner, Tim Potee, quite well. When Tim passed away last year (far too young; he was only 52) there was considerable concern about what would happen to the business, but Maurice is running it beautifully.

The parade began at 2pm yesterday & participants were to line up in the parking lot of Poly-Western high schools (at Falls Road & Cold Spring Lane, for those familiar with the city.) My husband, Jim, & I arrived at 1pm to check out the float as well as the microphone, amplifier & keyboard we’d be using. Yes, my husband played keyboard for me, a good thing as I am an appalling pianist – 8 years of lessons & I turned into a singer! He does both very well, but kept to the Casio on this occasion. I had the option of singing seated or standing, but opted to sit the entire time in case of potholes or other road issues. Also, my gown (a vintage Victor Costa from my own collection) is too long; sitting would reduce the number of opportunities for me to put a spike heel through my skirt while performing. A few of Maurice’s other friends were making last-minute adjustments to the float when we arrived – more Mylar! – & additional elves & fairies turned up shortly.

After we took our place in line, we had to wait quite a while to get going. It seems there were an unusually large number of entries on the parade this year & we were placed much farther back than Maurice had anticipated – he’d been told we’d be toward the front. Um, no. Everyone did their best to keep from getting grumpy; we chatted amongst ourselves & with the Brownie troops who were also in the parade. The kids loved our costumes – lots of gowns, high heels, & glitz. At least two of the other ladies were burlesque performers & as such very tired from their show on Saturday night, but all were troupers & had plenty of energy when our turn came.

We didn’t pull out of the parking lot until 3:15, which was quite disappointing as I knew that meant Jim & I would have to bail out of the parade early. Both of us were singing a Lessons & Carols service at a friend’s church that night – not only a prior commitment, but a paid one. Call time was 5pm & the church is out in Hydes, so we figured we needed to be off the float & at least heading toward Jim’s car (or better yet, in it) by 4pm. I hate letting people down, especially friends, but Maurice was very understanding & I don’t think the other ladies on the float hated the idea that they’d have a chance to be the “Ice Princess” when I had to leave!

Prior to this, I’d never sung on a float before & hadn’t been in a parade since junior high school marching band, so I was more than a little nervous. Would I, as vaudeville performers used to say, “lay an egg?” How would the crowd react to us? As it turns out, there was no need to worry. The people lined up along Falls Road were in a very festive mood, indeed, perhaps courtesy of an adult beverage or two in some cases, but they were definitely in favor of a shiny silver float, fun costumes, & holiday music. There was much waving, smiling, & even a bit of singing along. The day’s repertoire is probably best described as “holiday standards” – popular Christmas tunes including “Silver Bells”, “Merry Christmas Darling”, etc. Of course, “Santa Baby” got the best reaction from the crowd, so we must have performed that one at least six times!

Alas, as 4pm approached, we were still on Falls Road, & I knew Jim & I would have to “abandon float” soon in order to make our other call time. I’d so looked forward to serenading the crowd on The Avenue, but that wasn’t going to happen. After one last rendition of “Santa Baby”, we said a hasty goodbye to Maurice & the rest of the crew, then made our way back to Poly-Western – yes, on foot, through the assembled parade spectators! – to Jim’s car. I never thought I’d be hurrying down Falls Road in a ballgown, high heels, & full makeup, but I guess I’ve done stranger things in my time. Jim might have broken the speed limit once or twice during our drive out to Hydes, but we made it to our Lessons & Carols gig safe & sound. From “Santa Baby” to “Jesu, Joy of Man’s Desiring” in one day – that’s show biz!

Let’s Give Thanks for Music

Everyone gives thanks in their own personal way. Some have many things to be thankful for. Some, sad to say, would be hard pressed to think of anything. My list would be a long one, beginning with my beloved wife and thirty year companion, Dyane Fancey, and continuing with my thirty-two year job broadcasting classical music on WBJC.

Today it occurs to me that we can all be thankful for music. Even some deaf people have experienced it. Beethoven famously wrote his greatest masterpieces without hearing them, and the great percussionist Evelyn Glennie is totally deaf, experiencing music as vibrations in her bare feet. Some musicians have even created virtual music for hearing impaired students.

Music has been called the most abstract art form. It can’t be seen or touched, but simply exists as invisible vibrations in the air. Musical instruments, notated scores, are the physical means through which these sounds are created. For the last decade at WBJC, I have been able to see a visual representation of music and speech through digital editing. But the sounds themselves, for which these objective tools exist, can only be heard and not seen.

As for the way we react to music, the emotions and thoughts these sounds evoke, philosophers have struggled for centuries to explain it. Some say it is personal taste, or that music inspires day dreaming. If music has lyrics, they become a factor in what the music conveys. But ultimately, all music has structure, all music has style, and all musical sounds are organized through the discretion of an artist’s talent. People who have never met, and may have very little in common, will hear the same piece of music, and have a similar reaction to it. How often have I broadcast Samuel Barber’s “Adagio for Strings”, or Joaquin Rodrigo’s “Concierto de Aranjuez”, or in recent years, Simon Jeffes’ “Still Life at the Penguin Cafe”, and just waited for the phone calls from listeners who simply loved it.

I cannot imagine what my life would have been like without music. And as long as I’m alive I am guaranteed to hear more of it. Sometimes I hear several new pieces in the course of a single week. And what a pleasure and a privilege to come to work each day and share this music with all of you who listen to WBJC.

Being a musician is a joy unto itself, and everyone should take the opportunity to make music, whether as a professional musician, or singing and playing along with family and friends, or out of tune in the shower. I have made music as well as heard it, especially earlier in my life, but there are far more listeners than professional musicians. Indeed, all musicians are listeners too. So on this Thanksgiving Day, let’s all give thanks for music. The music of your life. The music of the spheres, as the ancients said. Or as Shakespeare says in “The Merchant of Venice”, “The man who hath no music… is fit for treasons, stratagems and spoils.” Or as Beethoven said of his “Missa Solemnis”, “From the heart, may it go to the heart.”