Chilling Vocalise 10-31-15

8:00 PM
Franz Schubert                Der Erlkonig  Op 1 D   328              DG/Archiv  4776686
SOLO Bryn Terfel, baritone
SOLO Malcolm Martineau,piano

The_Scream
8:04 PM
Sergei Rachmaninoff           The Bells  Op 35 Choral Sym. on EA Poe  Telarc     80365
COND Robert Shaw
ORCH Atlanta Symphony Orchestra
SOLO Renee Fleming, soprano
SOLO Karl Dent, tenor
SOLO Victor Ledbetter,baritone

8:42 PM
Modest Moussorgsky            A Night on Bald Mountain                Delos      3217
COND Zdenek Macal
ORCH New Jersey Symphony Orchestra
SOLO Clayton Brainerd,bass-baritone
SOLO Westminster Choir

Touchdown!

No, this isn’t a post about last night’s Super Bowl game. I am not remotely qualified to analyze or comment on football or any other kind of sporting event. Jim and I did watch the first half of last night’s game with a few friends; we left early because the party was in the DC suburbs and both of us had to work today.

Like many of my friends and colleagues, I was thrilled to hear that Renee Fleming had been chosen to be the first opera singer to perform the National Anthem at the Super Bowl. Any time classical music  – especially opera! – is featured in a positive way in popular culture, I rejoice. Despite my lack of interest in sports, I know very well that the Super Bowl is a major event; some even refer to it as a national holiday. As such, those of us whose livelihoods are tied to classical music, or who simply love listening to it, were eager to cheer Ms. Fleming on, yet a bit anxious regarding how her performance would be received by the public and the press.

Based on the few articles and blog posts I’ve had time to click on this morning, it seems the reaction to Ms. Fleming’s interpretation of the National Anthem was overwhelmingly positive.  Writers ranging from USA Today Sports’ Chris Chase to fashion bloggers Tom and Lorenzo are singing her praises. The notable exception thus far is Anne Midgette of the Washington Post, who made unfavorable comparisons between Ms. Fleming and Queen Latifah and even referred to a very unkind Tweet at the end of her article.

My musician friends’ reactions have been somewhat mixed, but most seem to feel that whether or not some of the vocal choices Ms. Fleming made would have been ours, she sang well and represented opera admirably. The guests at our friends’ party included two Peabody grads, several folks who may or may not have been to the opera once or twice, but aren’t averse to it as an art form, and, of course, Jim and myself, both opera fans who have sung for numerous amateur and professional companies over the years. Generally, everyone thought Ms. Fleming’s performance had a Broadway sound – a good, old-school one that more of today’s musical theater singers would do well to emulate. Her decision not to go for any overly flashy high notes was deemed wise. It’s the National Anthem, not an aria.

It seems commercials aired during this year’s Super Bowl were priced at $4 million per 30-seconds. Few, if any, opera companies could afford to purchase such an ad these days! Renee Fleming’s performance last night may well have “bought” her art form some priceless mainstream publicity. Bravissima!

RF Super Bowl gown

 

A Musical Touchdown!

It’s almost Super Bowl time again! Alas, the Baltimore Ravens aren’t headed to the big game this year. That said, classical music fans on the east coast and all over the country have reason to rejoice. For the first time ever at the Super Bowl, our country’s National Anthem will be sung by an opera singer. Acclaimed soprano Renee Fleming has been chosen to do the honors.

http://news.yahoo.com/opera-star-sing-national-anthem-super-bowl-162931344.html

http://www.nj.com/entertainment/index.ssf/2014/01/super_bowl_2014_rene_fleming_to_sing_national_anthem_on_game_day.html

I’m not a football fan, but I do love opera, and every time I see it portrayed in a positive light in mainstream popular culture, I feel the urge to shout (or perhaps sing) hooray! Here’s hoping that Ms. Fleming’s performance gets glowing notices and inspires a few people to check out a new kind of music.

renee fleming

Perhaps next year, the folks who hire the Super Bowl’s National Anthem singer will choose a mezzo…?

http://wbjc.wpenginepowered.com/2013/host-blogs/my-purple-pride-is-showing/

 

 

 

09/22/12 – Lucrezia Borgia – 1:00pm

San Francisco Opera

Lucrezia Borgia by Gaetano Donizetti
Libretto by Felice Romani

Sung in Italian
Approximate running time: 2 hours, 45 minutes including two intermissions

Renée Fleming, “America’s most-loved and most-lauded opera singer” (The Times,London), returns to San Francisco Opera in the title role of this melodically rich bel canto masterpiece. A femme fatale renowned for her ruthless pursuit of power reveals poignant vulnerability when she comes face to face with her long-lost son. The silken-voiced soprano sings this touchstone role “with raw intensity and earthy richness, utterly inhabiting the character” (The New York Times). She will be joined by “rising American tenor Michael Fabiano [who] shone as Gennaro, his warm lyric tone founded on long-breathed phrasing and a well-shaped line” (Opera News), and bass Vitalij Kowaljow, who sings with a “potent blend of vocal weight and emotional transparency” (San Francisco Chronicle); mezzo-soprano Elizabeth DeShong, whose “big, bright and pleasing voice was wonderful as Orsini” (The New York Times); and led by internationally acclaimed conductor Riccardo Frizza.

Cast/Crew

LUCREZIA- BORGIA RENÉE FLEMING
MAFFIO ORSINI- ELIZABETH DESHONG
GENNARO- MICHAEL FABIANO *
ALFONSO D’ESTE- VITALIJ KOWALJOW
RUSTIGHELLO- DANIEL MONTENEGRO
JEPPO LIVEROTTO- CHRISTOPHER JACKSON
OLOFERNO VITELLOZZO- BRIAN JAGDE
APOSTOLO GAZELLO- AUSTIN KNESS
ASTOLFO- RYAN KUSTER
ASCANIO PETRUCCI- AO LI *
GUBETTA- IGOR VIEIRA
PRODUCTION CREDITS
CONDUCTOR RICCARDO FRIZZA *
DIRECTOR JOHN PASCOE *
PRODUCTION DESIGNER JOHN PASCOE
CHORUS DIRECTOR IAN ROBERTSON

Recorded Fall 2011, War Memorial Opera House.

* SAN FRANCISCO OPERA DEBUT

 

photo credits: Cory Weaver

 

Can flash mobs save classical music?

Classical music fans are constantly searching for ways to introduce this wonderful art form to others. Those of us who make a living by writing, performing, teaching, or *ahem* playing the stuff on the radio tend to feel an extra sense of urgency – not only would we like to attract new fans, we want to keep our jobs! So, how do we get more newbies interested in Mozart, Bizet, et al? Perhaps we should sneak up on them.

No, I’m not suggesting we should kidnap unsuspecting strangers off the street & drag them into the opera house or symphony hall, although that’s an interesting concept. I think the world needs more classical music flash mobs.  My recent Google search for “classical music flash mob” yielded 377,000 results, while one for “opera flash mob” returned 2,890,000 (take that, vocal music haters!) Granted, some of these events have been blogged about or otherwise shared many times, but the fact remains that they are being seen & heard by millions of people, worldwide. Students & other young artists have performed in them, but professionals – some as famous as Yo-Yo Ma & Renee Fleming – have also joined in. This March, Mr. Ma & Ms. Fleming joined a group of high school musicians & members of the Chicago Symphony Orchestra in a food court, where they performed classical & patriotic music to the delight of a lunchtime crowd.  The flash mob was organized by Citizen Musician, an CSO-run initiative that calls on musicians to use their talents as community-building tools.  As to why two renowned artists would donate their time to such an effort, Mr. Ma said, “We do believe so much in the importance of music and the arts not just in the concert hall, but in our everyday lives.”

Yesterday, a friend posted the following flash mob video, featuring two excerpts from Carl Orff’s Carmina Burana,  on Facebook. The actual event took place in the Westbanhof, a/k/a the biggest train station in Vienna, on April 27th, & was organized by the Volksoper Wien.

https://www.youtube.com/watch?v=PXglXeONApw

I’ve no evidence that this flash mob or any other has since inspired onlookers to buy a recording or concert tickets, nor, alas, can I assure you that it made them classical radio fans. I do suspect, though, that such events have introduced more than a few people to music they’ve never heard before, & in our increasingly noisy, niche-marketed world, isn’t that a big part of the battle?

Also, why doesn’t anything this cool ever happen while Jim & I are waiting for a train?

 

 

 

12/03/11 Rodelinda – George Frideric Handel 1:00 PM

sung in Italian
Librettist: Nicola Haym
Conductor
: Harry Bicket
Approximate running time 3 hrs. 50 min.

Sensational in the 2004 Met premiere of Stephen Wadsworth’s much-heralded production, Renée Fleming reprises the title role. She’s joined by Stephanie Blythe and countertenor Andreas Scholl, and Baroque specialist Harry Bicket conducts.

Cast

Rodelinda: Renée Fleming
Eduige: Stephanie Blythe
Bertarido: Andreas Scholl
Unulfo: Iestyn Davies
Grimoaldo: Joseph Kaiser
Garibaldo: Shenyang

Production: Stephen Wadsworth
Set Designer: Thomas Lynch
Costume Designer: Martin Pakledinaz
Lighting Designer: Peter Kaczorowski
Fight Director: Steve Rankin