Posts Tagged ‘Shakespeare Theatre Company’

Mar. 25 2026

Maggie O’Farrell’s “Hamnet” onstage at Shakespeare Theatre Company

By Judith Krummeck | Posted in Host Blogs, Interviews | Comments Off on Maggie O’Farrell’s “Hamnet” onstage at Shakespeare Theatre Company

    Shakespeare Theatre Company in D.C. is presenting the Royal Shakespeare Company production of “Hamnet,” adapted for the stage from Maggie O’Farrell’s novel by actor-writer Lolita Chakrabarti. I spoke with Lolita by phone from London.    

Oct. 28 2025

Creating a soundscape for Ibsen’s Wild Duck

By Judith Krummeck | Posted in Host Blogs, Interviews | Comments Off on Creating a soundscape for Ibsen’s Wild Duck

  Henrik Ibsen’s rarely produced play The Wild Duck is on at the Klein Theatre of the Shakespeare Theatre Company in D.C. through mid-November. The soundscape—or incidental music—has been created by actor-musician Alexander Sovronsky, and I spoke with him by phone.    

Dec. 18 2024

How Shakespeare Invented the Villain

By Judith Krummeck | Posted in Host Blogs, Interviews | Comments Off on How Shakespeare Invented the Villain

  All The Devils Are Here: How Shakespeare Invented the Villain is an award-winning one-man show written and performed by Patrick Page. It’s at the Shakespeare Theatre Company until December 29th, and I spoke to Patrick Page by phone from D.C.        

Dec. 10 2024

Tom Stoppard’s Leopoldstadt at Shakespeare Theatre

By Judith Krummeck | Posted in Host Blogs, Interviews | Comments Off on Tom Stoppard’s Leopoldstadt at Shakespeare Theatre

  Tom Stoppard’s deeply personal play Leopoldstadt is on at the Shakespeare Theatre Company in D.C. until December 29th. I spoke with the director Carey Perloff from her home in San Francisco.        

Jun. 07 2024

Mary Zimmerman’s Matchbox Magic Flute

By Judith Krummeck | Posted in Host Blogs, Interviews | Comments Off on Mary Zimmerman’s Matchbox Magic Flute

Mary Zimmerman’s Matchbox Magic Flute, a collaboration between The Goodman Theatre and The Shakespeare Theatre Company, reimagines Mozart’s final opera as “a hybrid, a playful variation, more a creature of the theatre [than of] opera.” I spoke to Mary about her concept.  

WBJC